Monday, August 24, 2009

Reviving Khmer classical dance

The Dance of Loyalty to the King, May 1923. Bettmann Archive.
CAMBODIAN DANCE: Celebration of the Gods Denise Heywood River Books Bangkok, 144 pp, $45 ISBN 987-9749863404
Pamina Devi choreographed by Sophiline Cheam Shapiro.
How Cambodian culture re-emerged after the devastating Pol Pot years


24/08/2009
Writer: TOM FAWTHROP
Bangkok Post

The awesome grace and meticulous movements of the performers have entranced audiences since ancient times, an experience now shared with plane-loads of tourists descending on Siem Reap in western Cambodia, the jumping off point for the world's largest temple complex - legendary Angkor Wat.
Dating back to the days of the great Angkor empire that flourished from the 9th to 15th centuries, Cambodian dance is a celebration of the gods, mythology and the world of the royal palace.
This 144-page lavishly illustrated coffee-table book authored by Denise Heywood, a lecturer on Asian art, brings the reader a fine appreciation of Cambodian dance intertwined with the turbulent history and how it has always been at the core of Khmer culture and identity. The book details and explains the origins and development of the dances, music and shadow puppetry, all in the context of their spiritual importance as a medium for communicating with the gods.
But Cambodia's recent tragedy brought its great tradition of dance near oblivion. The "Killing Fields" regime of the Khmer Rouge not only killed through slave labour, starvation and slaughter nearly 2 million people, including 90 per cent of artists, dancers and writers, but it also came close to extinguishing Khmer culture and tradition. Pol Pot's brand new agrarian dystopia had no place for the arts, culture or any other kind of entertainment except xenophobic songs and Pol Pot propaganda.

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